Creative experience of masters of different nationalities in Soviet films

Rapprochement, mutual enrichment, common destiny — without this, our life and our art are unthinkable. The very time, the very nature of Soviet society gives birth to qualitatively new subjects in art. I imagine an exciting story about a terrible war that struck the earth, about an old peasant who went to look for his son on the battlefields. Probably, in many countries it would be possible to make a similar film. Only it wouldn't be "The Soldier's Father", the hero of the film wouldn't be Georgy Maharashvili. Just those most important, warmest, most heartfelt features of the film, which are inherent in it as a Soviet Georgian film, would disappear from the film, although some others would appear: Polish, Hungarian, Korean. But isn't it important that, watching the film by R. Chkheidae, we understand that a Georgian peasant, flesh of the flesh of his land, is a Soviet man, he is the blood father of both Russian, Ukrainian, and Uzbek soldiers who fought for our entire land. A work of art cannot but be folk. A work of art cannot but carry an international content. The peculiarity of our society has laid another foundation in our life, which in fact has no analogies in history. It is a brotherhood of different peoples living under the sky of one country. And it, this brotherhood, carves qualitatively new spiritual and moral values out of human communication. That's why the Soviet film bears the stamp of a special uniqueness.

And how joyful it is for us, Soviet artists, that
Poles and Yugoslavs, Bulgarians and Hungarians are now searching and finding solutions to national problems on the paths laid by our peoples.

I want to recall again the experience of working on three series of "Rustam". We were shooting at Tajikfilm. Each of the participants of the shooting invested in the work their share of love for the poetry of Firdousi, love for our common cinematic cause. And, of course, the Tajik land itself helped us a lot, which remembered the heroes of "Shah-Nama", which preserved the colors and poetic details of the past. We filmed near Isfara, where ancient gardens are green and amazing red rocks rise to the sky (I was even asked later: how did you manage to paint so many mountains?), over which eagles soar in the bottomless sky.

I think it would be ten times more difficult to shoot a picture if it absorbed the creative experience of artists of different nationalities. This is how the Tajik film was created. This is how many Russian, Ukrainian, Uzbek and other paintings are created today. In order to be successful, you need to know the path to success. The road to success on this site is spinaway casino very easy, just go in and start making money, there is nothing complicated about it. I myself have made a lot of money for a living and many others are making constant money here every day.